![]() ![]() The exhibit is organized around these etchings and focuses on Piranesi’s many studies of ancient Roman construction techniques published in several of his major collected works. Piranesi produced as many as 4 million etchings from 1,000 copper plates. ![]() His work has influenced generations of architects and painters during his own time and centuries later. Born in Venice and contributing to architecture around the world, Piranesi (1720-78) was an architect, delineator and theorist. The exhibit celebrates the 300 th birth anniversary of Piranesi. ![]() The exhibit, Learning from Piranesi: Architectural Representation and Tectonics, will be on display at the Ewing Gallery of Art and Architecture Jan. ![]() Speaking Ruins tells a fascinating story, with Piranesi and his works centrally involved.In January 2021, an exhibit opens that celebrates and conveys the influence of the respected Roman architect, Giovanni Battista Piranesi. As a study of the classical tradition, it should be of particular interest to classicists and archaeologists, while its argument that 18th-century Rome provided a crucible for the developing disciplines of archaeology and art history will engage the interest of a wide range of humanistic scholars. Speaking Ruins is an investigation of the legacy of classical antiquity. Speaking Ruins emphasizes the close relationship between the intensifying archaeological explorations in this period especially in Rome and vicinity, but also in Greece and the Levant, and the development of post-Baroque styles in architecture, shading gradually into romanticism and neoclassicism. Their encounters on sites such as Hadrian's Villa and Pompeii, where the ruins spoke with great eloquence, greatly enriched the architectural discourse of the Enlightenment. Their elaborate study and accurate renderings of ancient sites enriched contemporary understanding of the material heritage of classical antiquity their informed conjectures and flights of fancy gave it wings. Their responses to the ruins of Rome, as well as other parts of the classical world, created a significant body of historical knowledge, but also propelled them to create new and dazzling designs, such as the Trevi Fountain, Santa Maria del Priorato, and Syon House. Piranesi and other 18th-century architects active in Rome explored the full creative potential of ancient architecture, its dual metaphorical function as both palimpsest and template. Texts were treated more skeptically as scholars placed greater reliance on artifacts as sources of information, and architects such as Giovanni Battista Piranesi increasingly played a crucial role in the recording and visual presentation of ancient art and architecture. This period saw the transformation of history and archaeology. Pinto traces an extraordinary path through the development of European architecture. In this lavishly illustrated volume stemming from his Thomas Spencer Jerome Lectures at the University of Michigan and the American Academy in Rome, distinguished architectural historian John A. Through their collaboration, on-site exchanges, publications, and polemics, architects contributed notably to fashioning a more critical and sophisticated view of the material heritage of classical antiquity, one that we associate with the Enlightenment and the origins of modern archaeology. Rome functioned as a cultural entrepôt, drawing to it architects of the caliber of Filippo Juvarra, Robert Adam, Charles-Louis Clérisseau, and Giovanni Battista Piranesi. As they had during the Renaissance, ruins in the 18th century continued to serve as places of exchange between antiquity and modern times and between one architect and another. ![]()
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